Feature-Übersicht

 
 

Adelia-Donizetti-Adelia

“Kim-lillian Strebel sings the title role with brilliant sentiment. Thanks to her outstanding vocal presence, she lets the emotion soar… This is a vocal roller coaster ride. With her high note just before the end, Strebel brilliantly rounds off a performance that demands as much from her self-denying message of love as from her lively coloratura”
— (HILDESHEIMER ALLGEMEINE ZEITUNG, MARCH 2018)

‘“Mit Kim-lillian Strebel hat das Theater für Niedersachsen eine gewinnende Besetzung für die Titelpartie: Sie zeift, wie eine aufrichtige junge Frau, überzeugt von ihrer Liebe, allmählich zermürt wird und sich schliesslich mit wehend Haaren in die Umnachtung wirft. Strebels Sopran
— XY

Die gastsopranistin Kim-Lillian Strebel singt in der Titelrolle wechselnde Gefühlszustände brilliant aus. Dank herausragender stimmlicher Präsenz lässt sie die Emotionen hochfliegen, auch wenn die Nerven blank liegen. Das ist gesangliches Achterbahnfahren. Mit ihrem hohen Ton kurz vor Schluss rundet Strebel glanzvoll eine Partie ab, die ihr schmeichelnde oder entsageungesvolle liebesbotschaften genauso abverlangt wie quirligen Koloraturen.
— XY

‘“Besonders die extremen Gefühlsänderungen der Titelfigur wurden nachdrücklich durch die junge Britin Kim-Lillian Strebel gestaltet. Dazu kam eine bereits geradezu souveräne Führung ihres farbenreichen Soprans, mit der sie die unterschiedlichen Seelenzustände ausdrucksstark zur Geltung brachte. Weiterhin begeisterten die Höhensicherheit und die in jeder Phase reine Intonation, sowohl im wunderbaren Legato-Singen als auch in den geläufigen Koloraturen.”
— deropernfreund.de


Faure Requiem-Atlanta Symphony Orchestra

“In her one solo turn, the beautiful “Pie Jesu,” Strebel’s velvet voice was backed only by organ, while the assembled symphony musicians waited to fill in the singing gaps with a quasi-call and response. Though it was Strebel’s only role in the production, she made an indelible impression.”
— XY

Pamina -Mozart -The Magic Flute
’“Kim-Lillian Strebel’s Pamina is full voiced and beautifully expressive”
— (LE MONDE, NOVEMBER 2017)

“We also note the very good perfromance of the young singers of this production. Unreserved appreciation for Kim-Lillian Strebel’s alert and charming Pamina”
— (LA REVUE DU SPECTACLE, NOVEMBER 2017)

“In her Louise Brooks-style character she shows great expressiveness, especially in the scene where she is imprisoned in the web of her mother and is attacked by dozens of spiders. Of her assured singing, the beautiful pianissimi in ‘Ach ich fühls’ are noteable.”
— XY

“Strebel sang sumptuously in her aria and her suicide scene, and looked every inch a Princess.”
— (CITY BEATS, JULY 2017)


“Ms Strebel has a wonderful voice that is nicely uniform throughout her vocal range as well as the musics dynamic range”
— (BACHTRACK,MAY 2017)

Cendrillon- Massenet -Cendillon

“ Kim-Lillian Strebel has the wonderful lyrical purity of a maiden, making a grand new appearance here. You could listen to her “Vous etes mon Prince Charming’“ dozens of times.”
— (CLASSIC AGENDA, NOVEMBER 2017)

Fiordilligi- Mozart-Cosi fan tutte

“The most vocally mature performance was from Kim-lillian Strebel, coupling an erotically appealing visual portrayal as `fiordilligi with wonderfully clear high tones and subtle phrasing in both her arias and duet. Her E-major aria Per pieta in Act 2 is a musical highlight.”
— (BASLER ZEITUNG, MAY 2016)

“Kim-Lillian Strebel is a Fiordilligi with beautiful soprano height.”
— (BADISCHE ZEITUNG KLASSIK, MAY 2016)

“…and the evening gets its climax with Kim-Lillian Strebel’s E-major aria ‘Per pieta”
— (SUEDKURIER, MAY 2016)

Adina- Donizetti -L’Elisir D’Amore

“Kim-Lillian Strebel was Adina… and sang the performance with lyrical delicacy and naturalness. Her ‘“ Della crudele Isotta” was bright, innocent, and especially enhanced by the supple movement of her soprano”
— XY

“Ihre wunderschöne, reine und klare Sopranstimme vermag sie im zweiten Akt geschickter und facettenreicher einzusetzen und schleudert sogar ein paar Spitzentöne des Belcanto-Meisters Donizetti regelrecht in den Zuschauerraum. Das macht Spass!”

— onlinemerker.de

Lauretta-Puccini-Gianni Scicchi

’“The young Swiss Soprano Kim-Lillian Strebel gets a huge applause as the innocent bride with the tearjerker ‘O mio babbino caro’
— (WESTDEUTSCHE ZEITUNG, MARCH 2015)